RHYTHMS | PRAYER, PRACTICE, PLACE

Vol 4. Issue 2


Friends,

This issue includes a Prayer for Sound, the Practice of listening to Live Music, and a Jazz Club as a sacred Place
Our hope is these rhythms cultivate a holy imagination about how you hear sound.

All blessings. 
Jared Mackey

This week we are hosting Sound & Place with local musical artists, Jake & Jubilee. Buy your tickets to attend with a neighbor or friend.

PRAYER | SOUND

By Andraé & Alyssa Alexander


You are invited to close your eyes, take a deep breath, and listen.

When we wake into God’s vast creation,
May we listen and pay attention to what we hear: 
birds chirping, water running, wind rushing—
but also what we don’t want to hear:
traffic, construction, alerts, and alarms.

May we discover a practice and develop a posture 
that hears more than noise, 
brings balance to our souls, and welcomes peace.

May we listen for the sounds 
of laughter, music, and conversation that fill our homes with joy
And hear beauty amongst the sounds that surround us every day.

May we come together to dance, worship, and sing. 
As sound connects us across the continents, 
May we recognize the community of sound despite our differences
and find common ground in Christ’s name.

May we focus on not only the lyrics in music, 
But may we immerse ourselves in the pitch, 
loudness, timbre, rhythm, and texture of the instruments.
May we listen not just with our minds, 
But with our whole body.

May sound be a Celebration of Life. 
In joy, in sorrow, and even in anger,  
May music carry us through these moments 
and bring us back to a place that helps us 
love of our neighbors, 
build new friendships,
and lift up our communities.

Thank You God for sound.

Take another deep breath and open your eyes with gratitude for the blessing of sound.

Andraé and Alyssa live in the Shenandoah neighborhood near Smoky Hill High School in Aurora with their three daughters and lead Integrated Faith, a church that meets in their living room.

PRACTICE | LIVE MUSIC

By Jared Mackey


Live music is better.
— Nail Young

Practice

  1. Support. Look for opportunities to support live music.

  2. Participate. Engage with live music as a multisensory, embodied experience.

  3. Connect. Notice how music fosters a shared connection to others in the audience.

Live music uniquely connects us to both people and place. It’s a communal experience that not only creates a connection between artist and audience, but those in the audience to one another. Shared music has been central to civilizations for both ceremonies and celebrations. Among the earliest expressions of humans, shared sounds formed communal bonds and reinforced beliefs. In a cultural moment where AirPods and headphones isolate and insulate us with sound, the practice of listening to live music invites connection, creation, and celebration.

The extraordinary ability and humanity of artists is illuminated through live music. The sounds have not been recorded, edited, and perfected. What generates the electricity in live music is that it inherently invites spontaneity and unpredictability. Artists improvise and respond to the audience, and in doing so, the audience uniquely participates in the creative process.

The connection of live music is not only audible. Seeing artists as they shape the musical sounds through their bodies and instruments contributes to the experience. Live music is a multisensory embodied encounter of hearing, seeing, and feeling sound. The sound waves from a bass guitar or brass section of an orchestra are absorbed by our bodies. This whole-body experience, shared by both artist and audience, is unique to live music. It is a moment in time and place that cannot be reproduced or recreated.

Listening to live music has a dynamic effect on our social and emotional connections. A live music concert fosters a sense of connection among individuals who were previously strangers. Studies have shown that live music moves the audience in synchrony, and through this synchronic movement, there are greater levels of trust, cooperation, and appreciation for one another. At the conclusion of a concert, a bond has been formed through the sharing of sound and place.

An embodied way to cultivate connections with the people and place around you is listening to live music. 

PLACE | JAZZ CLUB

By Jared Mackey


Jazz is a good barometer of freedom.
— Duke Ellington

A jazz club is a sacred place. The roots of jazz music are imbued with the reason why these soulful and stirring music rooms matter. Jazz has been called an American institution. It was birthed in Black communities as a musical language of expression and freedom. Jazz clubs were places where musical artistry could flourish even when the dominant society denied dignity and opportunity. That history still hums in every jazz club. Wynton Marsalis wrote, “Jazz music is America's past and its potential, summed up and sanctified and accessible to anybody who learns to listen to, feel, and understand it. The music can connect us to our earlier selves and to our better selves-to-come.”

In Denver during the early to mid-20th Century, the Five Points neighborhood was home to over fifty bars and clubs featuring jazz music. It was known as the “Harlem of the West.” At the center of Denver’s golden age of jazz was the historic Rossonian Hotel. Built in 1912 and renamed in 1929, the Rossonian became a cornerstone of the city’s jazz scene into the 1950s. Many Black musicians stayed at the hotel because other musical establishments in Denver practiced racial discrimination. Its lounge was seen as one of the most prominent jazz clubs between St. Louis and Los Angeles. Legendary artists Duke Ellington, Count Basie, Louis Armstrong, Nat King Cole, and Billie Holiday all played the Rossonian.

Jake and Jubilee Henderson, current local musical artists, offered their insights into the context of jazz clubs. “I think people go to jazz clubs to appreciate the art and the artistry,” they shared. “It's a place where both are on full display.” An aspect of the unique art and artistry of jazz is improvisation. Improvisation is understood as essential to, and expected in, jazz music. A musician improvises within the theme of a song but offers something distinctively his or her own to the original. Louis Armstrong said about the nature of jazz, “Jazz is music that’s never played the same way once.” This creative collaboration of jazz demands attention from musicians and listeners alike. Its music unfolds with dynamic momentum and creative tension.

Jazz clubs have opened and closed over the decades in Denver. Like the music itself, jazz clubs have evolved with the changing landscape of the city. The legacy of jazz clubs in the Five Points neighborhood is as layered as the music itself. There is enduring hope for the return of jazz to the Rossonian. In 1995, it was listed on the National Register of Historic Places, and the latest development plans are for the hotel to be fully restored by 2028 and for jazz to again fill the hallowed halls.

Jazz clubs are an embodiment of the resilience and expression of freedom within the complexity of the American story. Duke Ellington said, “Jazz is a good barometer of freedom… In its beginnings, the United States of America spawned certain ideals of freedom and independence through which, eventually, jazz was evolved, and the music is so free that many people say it is the only unhampered, unhindered expression of complete freedom yet produced in this country.” A jazz club is a place to pay attention to the artist and artistry, to the history and legacy, and the inspiring creativity of music and sound. A jazz club is a sacred place.

Interested in faith and jazz? Robert Gelinas is the pastor of Colorado Community Church and the author of Finding the Groove: Composing a Jazz-Shaped Faith.

PARTICIPATE | EVENTS


You are invited to Sound & Place, a concert designed to explore how musical sound connects us with place.

The event will be a unique concert experience with an artist panel reflecting on the unseen influence of place on how we hear and asking how musical sound might inspire us to better love the people and places around us.

Purchase tickets for an evening celebrating the unique energy of Sound & Place on Thursday, February 5, 6:30pm.



More rhythms to root your faith in place.

Sacred Place provides a beautiful bi-weekly publication to share the rhythms of a Prayer, Practice, and Place as simple ways to help cultivate love for our neighbors and neighborhoods.


All theology is rooted in geography.

- Eugene Peterson